Various subjects are explored within the intersections of art, natural sciences, and cultural heritage. Some of the projects include:

Tentative approaches to become more-than-human in order to deconstruct our anthropocentric view of the world (Whale Voice Choir, Polar Series), studies of different life-forms directly or indirectly impacted by human activities (The Obstinacy of Things, Nightshift: Tarn), or retracing the history of landscape connections with local folklore and cultural heritage (Sea Serpents, Tamesis Serra).

The nature of these investigations requires a research-led practice working with scientists, museums, and other collections, and often fieldwork such as the de-fleshing of marine mammal specimens, or working as a naturalist on whale watching boats - all essential platforms for the development of the projects.

The work is transdisciplinary, which means the artistic practice is not separate from other life practices such as natural history museum curation work and studying a Masters in Sustainability and Ecology, but rather they inform each other, forming a complex multilayered practice. And so the artwork may be interwoven with natural history, museum displays, environmental consciousness raising, cultural heritage celebration, ethical debates, marine biology, and/or ecological perspectives.